fixed: latency switching when using different oversampling for online/offline in Logic Pro Innovative level & frequency reduction display for ideal optical control Sidechain filter for controlled compression without pumping Look-ahead for compression to catch transient
Mono, stereo, dual mono, MS (Lat Vert) operation modes, sidechaining and parallel-compression Optimized for maximum compression with minimal artefacts (in your face & classic 80's British console buss compressor sound) Innovative link-up of gain reduction with the ColourEQsĪllows precise equalisation according to the compressor's gain reductionĪrbitrary shelving and peak filters can be used on the ColourEQsĬolour presets for quick results in the most common applicationsĮQ look-ahead function for maximum transient punchĬompressor with supremely intelligent/adaptive attack-, release- und ratio-settings Based on your initial setting, it delivers the sonically best compression. No matter if vocals, drums or other instruments: the HOFA IQ-Comp permanently adjusts all the relevant settings to fit the musical needs. while compressing drums.Īnd we equipped or compressor with the required intelligence to achieve perfect results for all sorts of audio material. the bass frequencies of a singer at the loudest parts and enables completely new EQ variants depending on the compressors gain reduction e.g. This is the world's only compressor that is able to link the gain reduction with the integrated equalizer if needed. 4.Everyone who is looking for new tone colours and simply the best compression for vocals, drums, bass and mastering won't get around this plugin. It made my life a lot easier, and I think it can make yours easier too.
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If you don’t want to download this plugin, then at least open up your stock EQ and play with the resonance on your high pass filter. Think of this as more of a really helpful tip with a plugin to go along with it. There are enough good new ideas to do that I don’t want to fall into the trap of repackaging old tricks. Because this is a feature we all already have, I didn’t feel right about charging money for it. Rather than spending loads of money on a big dongle and then more money on a plugin, I decided just to make my own.Įven though it is super simple, I think it lived up to it’s hype.
I read reviews on a certain plugin that claimed to enhance the low end with a resonant high pass filter, and everybody who tried it seemed to love it. The reason why I made a dedicated plugin for this is because even though I had the capability to put a resonant high pass filter on my tracks for the past 15 years using my stock EQ, the thought never occurred to me to try it. Truthfully, what you get here can be accomplished with pretty much any digital EQ plugin. That said Boz Digital Labs are very honest about this plug-in and what it can. While the controls are super simple, the effect that this has on controlling the low end in a mix is pretty exciting. I like to think of it as a way to boost the low end while still keeping it under control.
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